<aside> ☁️ Exclusion: 52.033428, 1.201655 [Ipswich, UK] Guide: Andrei Costache

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Neverending Line by Andrei Costache.pdf

https://s3-us-west-2.amazonaws.com/secure.notion-static.com/d0aeb3f9-fc95-4d0c-bfd2-a709dbf4923b/IMG_1861.mp4

Culture cloning - Markers to witness the passage of time.

Diluting the artist's vision by satisfying the infrastructural needs. The sculpture as a material, as a proxy to contextualise the emptiness of the space, as a placeholder to the next car dealership.

R: As all these places, Ipswich, Ilford, Richmond... in parts are similar, the role of the sculpture should be to define and bring character to each area.

N: But they actually do the opposite; it feels like an innate human drive(need?) to mark the land, put a name on it, make it a property of someone instead of letting it just be #nature

MONUMENTS AS CULTURAL PLACEHOLDERS, not necessarily representative for the surrounding socio-cultural environment or an identity marker.

lol

The Arctic Henge... a translocation of monuments, as Eiffel exists in Vegas, China, etc. if you were to make a Stonehange in Iceland it would make total sense (contxtual). 
You can make 5 actually and claim that the one in UK is a fake.

History will buy into it.

re: GitHub archiving an entire human history of code in Svalbard.
# An interactive Stonehange